November’s Netflix US departures span a striking range: an Oscar-winning Brazilian drama, a tightly wound crime thriller, a cult Western and several recent studio releases. The dates matter as much as the titles. Some films have only just returned to the service, while others are finishing first-window streaming runs.
Picture Credit: Universal Pictures
The nine films leave Netflix in the United States on dates between November 2 and November 26, 2026. Availability differs by country. For the full list of November departures, see the service’s schedule. Netflix series removals include The End of the F***ing World and Gilmore Girls: A Year in the Life.
Early-month exits: a crime thriller, a horror romance and an adventure comedy
The Outfit (2022)
Leaving Netflix: November 2
The month opens with a compact crime story built around one location and a careful performance from Mark Rylance. The Outfit, directed by Graham Moore, the Oscar-winning screenwriter of The Imitation Game, arrived on Netflix almost a year earlier. Its tailor’s shop in 1950s Chicago serves as both workplace and mob drop point, giving the film a confined stage for its shifting loyalties.
Rylance plays Leonard, an English cutter whose quiet routine collapses when a wounded gangster and a mysterious tape appear in his back room on the same night. Zoey Deutch, Dylan O’Brien and Johnny Flynn round out the cast, but the film’s tension rests on Leonard’s restrained presence. Moore lets small changes in what the tailor knows—and what he chooses to reveal—drive the danger. The result rewards viewers who enjoy a slow build and a tightly controlled setting.
Heart Eyes (2025)
Leaving Netflix: November 8
Heart Eyes mixes slasher mechanics with romantic comedy, a combination that gives its masked killer a built-in source of targets. Directed by Josh Ruben and co-written by Christopher Landon, whose credits include Happy Death Day and Freaky, the film stars Olivia Holt and Mason Gooding as co-workers mistaken for a couple on Valentine’s Day. In a city terrorized by the Heart Eyes Killer, that misunderstanding turns their evening into a chase.
The film’s appeal lies in its willingness to make room for both grisly set pieces and sincere chemistry. It joined Netflix in May 2025 under a Sony Pictures first-window arrangement, and its US run ends after 18 months. UK viewers get a different schedule: the film is due on Netflix UK November 14. Its US streaming debut was announced in advance.
The Lost City (2022)
Leaving Netflix: November 9
Sandra Bullock and Channing Tatum anchor The Lost City, a star-led adventure comedy that takes its cues from old-fashioned treasure-hunt romances. Bullock plays Loretta Sage, a novelist kidnapped by an eccentric billionaire, played by Daniel Radcliffe, who thinks her latest book contains clues to real treasure. Tatum is Alan, the devoted cover model who sets out to rescue her. A Brad Pitt cameo adds another jolt of comic energy.
That straightforward setup gives the cast room to do the work. Bullock’s reluctant heroine and Tatum’s earnest would-be action hero make an appealing pair, while Radcliffe leans into the billionaire’s theatrical excess. The film returned to Netflix in May, so this stay is brief. It’s an easy pick for viewers looking for a lighter change of pace. Bullock’s other Netflix appearances are listed here.
Mid-month: an A24 Western and two very different journeys
Slow West (2015)
Leaving Netflix: November 11
At just 84 minutes, John Maclean’s Slow West makes its point quickly. Kodi Smit-McPhee stars as Jay, a young Scottish aristocrat crossing the American frontier to find the woman he loves. Michael Fassbender plays Silas, a bounty hunter who becomes Jay’s guide while pursuing his own aims. Ben Mendelsohn leads the outlaw gang closing in on them.
The film earned the World Cinema Grand Jury Prize at Sundance, and its spare running time suits a Western that prizes sharp turns over long detours. Maclean balances violence with flashes of humor, then builds toward a memorable shootout. It’s one of the A24 titles that cycle through Netflix. For another A24 release, Chris Rock’s Misty Green arrives November 9.
Paddington in Peru (2024)
Leaving Netflix: November 15
The month’s family-film departure is also one of its larger Sony first-window titles. Paddington in Peru arrived on Netflix US in May 2025, as previously reported here. Director Dougal Wilson takes over from Paul King for the third film, sending the bear and the Brown family to Peru after Aunt Lucy goes missing from the Home for Retired Bears.
Ben Whishaw returns as Paddington, with Olivia Colman as a singing nun and Antonio Banderas as a riverboat captain drawn to treasure. The film doesn’t reach the heights of Paddington 2, a high bar for any sequel, but its new setting and familiar warmth make it a strong option for a family watch before it leaves.
The Girl with the Dragon Tattoo (2011)
Leaving Netflix: November 15
David Fincher’s adaptation of The Girl with the Dragon Tattoo remains a precise, unsettling investigation story. Daniel Craig plays journalist Mikael Blomkvist, hired by a wealthy industrialist, played by Christopher Plummer, to look into his niece’s disappearance decades earlier. Blomkvist works with Lisbeth Salander, a gifted hacker played by Oscar-nominated Rooney Mara, as they uncover violence and corruption in the family’s past.
Fincher’s methodical direction and the score by Trent Reznor and Atticus Ross give the film its cold, propulsive edge. It leaves Netflix alongside Sony thriller The Shallows (2016). Fincher’s next film, the Quentin Tarantino-scripted Cliff Booth movie, is scheduled to arrive globally on Netflix December 23 after a two-week IMAX run.
Late-month exits: an award-winning drama, a crime classic and a killer doll
I’m Still Here (2024)
Leaving Netflix: November 17
Walter Salles’s I’m Still Here is the month’s most acclaimed departure, and its story gives the film a force that lingers beyond awards season. Set in Rio de Janeiro in 1971, it follows Eunice Paiva, played by Fernanda Torres, after her husband Rubens, a former congressman played by Selton Mello, is taken from their home by Brazil’s military regime and never returns.
Torres won a Golden Globe and received an Oscar nomination for her performance. The film became the first Brazilian winner of the Academy Award for Best International Feature, beating Netflix’s Emilia Pérez. Salles keeps the focus on Eunice’s effort to protect her family while pressing for answers that remain out of reach. The film came to Netflix in May 2025 through the Sony Pictures Classics deal and is headed next to Hulu; its streaming debut was announced here.
True Romance (1993)
Leaving Netflix: November 19
Tony Scott’s True Romance pairs his fast, vivid direction with a script Quentin Tarantino wrote before Pulp Fiction made him a household name. Christian Slater plays Clarence, a comic-book-store clerk who marries Alabama, a call girl played by Patricia Arquette, after a whirlwind romance. The couple then flee to Los Angeles with stolen mob cocaine.
The supporting cast is unusually deep: Gary Oldman, Dennis Hopper, Christopher Walken, Brad Pitt, Val Kilmer and James Gandolfini all appear. Hopper and Walken’s confrontation remains one of the film’s standout scenes. The movie returned to Netflix in May for a six-month run, as covered in this May arrivals guide. It leaves the same day as Saw X (2023), a very different pick for horror fans. Tarantino’s next script, The Adventures of Cliff Booth, is due shortly before Christmas. Tarantino’s Netflix film list is available here.
M3GAN 2.0 (2025)
Leaving Netflix: November 26
M3GAN 2.0 closes the month’s list and begins the Universal first-window departures. It arrived in January, earlier than expected under Netflix’s new Universal deal, after the arrangement started ahead of schedule. The film’s Netflix arrival was covered here.
Director Gerard Johnstone shifts the 2023 original’s killer-doll premise toward action comedy. Two years after the first film, Gemma, played by Allison Williams, has become a public advocate for AI regulation. Then she discovers that M3GAN’s technology has been stolen by a defense contractor and used to build AMELIA, a military android played by Ivanna Sakhno. When AMELIA goes rogue, Gemma rebuilds M3GAN to confront her. The tonal turn divided audiences at the box office, but the home-viewing format suits a film built around an outsized showdown.
Netflix’s November additions are outlined in its release guide. For viewers choosing what to watch before these titles go, the clearest priorities are I’m Still Here for its performance and historical perspective, The Outfit for its contained suspense, and True Romance for its sharply drawn crime-movie ensemble.
